<$BlogRSDUrl$>


Monday, November 15, 2004

Incredibly... Fast 

Saw The Incredibles last night, about which first I will note that movie ticket prices in suburban LA have reached $10. This was at an AMC chain. (I suppose they've been that high in Manhattan for a while.) Liked the movie a lot, thought it more consistently clever and inspired and intelligent than, say, Shrek 2 or Sky Captain and the World of Tomorrow. But I also felt, moreso even than those two films, that the pace was so fast, especially near the end, with minute after minute of 1 1/2 second scenes, that it seemed to verge on the incomprehensible. Blink, or sneeze, and you've lost the storyline. I realize the pace of American movies has gotten faster and faster over the decades, with film students baffled or bored at being tasked to view the 'classics', but has it really gotten to the point where filmmakers fear they'll lose their attention deficit audiences if any nondialogue scene lasts 5 seconds...? The material was so rich, I felt at times I was experiencing the cinematic equivalent of viewing a book of art masterpieces as a flip book...

Or, hmm, maybe it's a ploy to make me pay to see it again... or buy the DVD. Hmm.
Comments:
I think all the Pixar films are visually rich enough to reward repeat viewings; the first time around, lots of people miss background details like the millipede mime in A Bug's Life. The Incredibles is a superhero action movie, so it makes sense that it'd be paced faster than previous Pixar films, but I didn't think it was any faster than most live-action superhero movies. Maybe other movies don't feel as fast because their scripts are underwritten (Sky Captain is a notable example).
 
Post a Comment


king under the dome

doctorow makers

banks transition

kress steal sky

atwood year flood

roberts yellow blue tibia

wilson julian comstock

 ness ask and answer

collins catching fire

collins hunger games

sawyer flashforward

baker hotel

disch proteus

tan tales

mazzucchelli asterios

zebrowski empties

morrow shambling

hamilton cpt future

beckett genesis

meller evo rx

bsg2

kurzweil transcend

sawyer wake

ness knife never letting go

barzak love we share

mcewan cement garden

holland sci-fi art

gladwell outliers

bittman food matters

baggini what's it all about

Still in progress:

ross rest is noise

aldiss billion year spree

pollan omnivore's dilemma



Mark R. Kelly
Profile
Email

The opinions expressed in this blog are solely those of Mark R. Kelly, and do not reflect the editorial position of Locus Magazine.
Locus
Links
Latest Posts
Archives

  • April 2010
  • March 2010
  • January 2010
  • December 2009
  • November 2009
  • October 2009
  • September 2009
  • August 2009
  • July 2009
  • June 2009
  • May 2009
  • April 2009
  • March 2009
  • February 2009
  • January 2009
  • December 2008
  • November 2008
  • October 2008
  • September 2008
  • August 2008
  • July 2008
  • June 2008
  • May 2008
  • April 2008
  • March 2008
  • February 2008
  • January 2008
  • December 2007
  • November 2007
  • October 2007
  • September 2007
  • August 2007
  • July 2007
  • June 2007
  • May 2007
  • April 2007
  • March 2007
  • February 2007
  • January 2007
  • December 2006
  • November 2006
  • October 2006
  • September 2006
  • August 2006
  • July 2006
  • May 2006
  • April 2006
  • March 2006
  • February 2006
  • January 2006
  • December 2005
  • November 2005
  • October 2005
  • September 2005
  • August 2005
  • July 2005
  • June 2005
  • May 2005
  • April 2005
  • March 2005
  • February 2005
  • January 2005
  • December 2004
  • November 2004
  • October 2004
  • September 2004
  • August 2004
  • July 2004
  • June 2004
  • May 2004
  • April 2004
  • March 2004
  • February 2004
  • January 2004
  • December 2003
  • November 2003
  • October 2003

This page is powered by Blogger. Isn't yours?